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Hypergradient
- Thu 2410:00-23:00
- Fri 2510:00-23:00
- Sat 2610:00-23:00
- Sun 2710:00-23:00
The Exhibition Hall
Inspired by the theory of Hermeneutics, the kinetic audio-visual installation Hypergradient analyzes the different interpretations of an impartial consistent statement. The installation repeatedly changes between two states: the “statement” state and the “interpretation” state. The statement state displays a sequence of characters of a distinct semiotic system. When the installation reaches the interpretation state, the whole space changes into darkness and the surface is illuminated by changing light sources. Through the constant change of light, the physical deformation of the surface and the consequent modification of perception, the original statement now has to be interpreted by the observer.
Andreas Lutz (DE)
Andreas Lutz’s (*1981 in Freiburg, Germany) initial works refer to alternative human machine interaction and the approach, to create integrated and universal communication systems. In his recent work, he increasingly analyzes and reveals phenomenons of perception versus reality and principles of abstract aesthetics with audio-visual installations. The creation of experimental soundscapes and the relation of semiotics and sound are further aspects of his work.